{"id":5063,"date":"2026-07-29T10:46:38","date_gmt":"2026-07-29T10:46:38","guid":{"rendered":"https:\/\/ervadaninha.pt\/wp1\/?page_id=5063"},"modified":"2026-07-29T11:07:38","modified_gmt":"2026-07-29T11:07:38","slug":"decubit-by-antonia-la-petaca","status":"publish","type":"page","link":"https:\/\/ervadaninha.pt\/wp1\/index.php\/en\/decubit-by-antonia-la-petaca\/","title":{"rendered":"Dec\u00fabit by Antonia La Petaca"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">ensaio de circo | 25 July 26 | CED | Artistic Residence 13\/7 a 25\/7<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"jetpack-video-wrapper\"><iframe loading=\"lazy\" title=\"DEC\u00daBIT de Ant\u00f3nia La Petaca\" src=\"https:\/\/player.vimeo.com\/video\/1213861539?dnt=1&amp;app_id=122963\" width=\"764\" height=\"430\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Decubitus starts from classic antipodism with trinka, a circus technique of manipulating objects with the feet, to create a contemporary language where humor, play and the relationship with the public take on a central role. Inspired by the artist&#8217;s Andalusian roots and the presence of flamenco in her journey, the show invites the audience to discover an ancestral technique through a new perspective, revealing the poetry and the possibilities that arise when we look at the world upside down.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:24% auto\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2026\/07\/20260725_163201390_iOS-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"940\" height=\"1410\" src=\"https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2026\/07\/20260725_163201390_iOS-1-940x1410.jpg\" alt=\"\" class=\"wp-image-5051 size-full\" srcset=\"https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2026\/07\/20260725_163201390_iOS-1-940x1410.jpg 940w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2026\/07\/20260725_163201390_iOS-1-620x930.jpg 620w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2026\/07\/20260725_163201390_iOS-1-768x1152.jpg 768w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2026\/07\/20260725_163201390_iOS-1-1024x1536.jpg 1024w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2026\/07\/20260725_163201390_iOS-1-1365x2048.jpg 1365w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2026\/07\/20260725_163201390_iOS-1-200x300.jpg 200w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2026\/07\/20260725_163201390_iOS-1.jpg 1659w\" sizes=\"auto, (max-width: 940px) 100vw, 940px\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\">creation and interpretation ANTONIA LA PETACA<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">external view (residence) JORGE ALBUERNE, LOLO FERN\u00c1NDEZ<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><mark style=\"background-color:#8ed1fc\" class=\"has-inline-color\">RESIDENCE WITH THE SUPPORT: LA CENTRAL DEL CIRCE e INSTITUT RAMON LLULL<\/mark><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>ensaio de circo | 25 July 26 | CED | Artistic Residence 13\/7 a 25\/7 Decubitus starts from classic antipodism with trinka, a circus technique of manipulating objects with the feet, to create a contemporary language where humor, play and the relationship with the public take on a central role. Inspired by the artist&#8217;s Andalusian [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"tags":[],"class_list":["post-5063","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P6f9xd-1jF","_links":{"self":[{"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/pages\/5063","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/comments?post=5063"}],"version-history":[{"count":3,"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/pages\/5063\/revisions"}],"predecessor-version":[{"id":5066,"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/pages\/5063\/revisions\/5066"}],"wp:attachment":[{"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/media?parent=5063"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/tags?post=5063"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}