{"id":5028,"date":"2026-07-22T08:47:57","date_gmt":"2026-07-22T08:47:57","guid":{"rendered":"https:\/\/ervadaninha.pt\/wp1\/?page_id=5028"},"modified":"2026-07-22T08:52:00","modified_gmt":"2026-07-22T08:52:00","slug":"mostra-estufa-2026","status":"publish","type":"page","link":"https:\/\/ervadaninha.pt\/wp1\/index.php\/en\/mostra-estufa-2026\/","title":{"rendered":"Mostra estufa 2026"},"content":{"rendered":"\n<ul class=\"wp-block-list\">\n<li>6 + 7 November \u2013 Teatro Campo Alegre \u2013 TMP \u2013 Porto\u00a0<\/li>\n\n\n\n<li>Info + Tickets\u00a0<a href=\"https:\/\/www.teatromunicipaldoporto.pt\/pt\/evento-destaque\/mostra-estufa-2026\/\" target=\"_blank\" rel=\"noreferrer noopener\">LINK<\/a><\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\">The Mostra Estufa was launched in 2018 as a result of a joint initiative by Erva Daninha and the Teatro Municipal do Porto to provide a platform for new languages, aesthetics and dramaturgies in contemporary circus. It is an annual programme that seeks to foster new creations which bring the circus closer to current aesthetic trends. In addition to the festival open to the public, Estufa offers a range of support measures for artistic creation that help to consolidate projects \u2014 funding, artist residencies, publicity, production, training, lighting, video, photography and technical support, amongst others.\u00a0 In 2026, it brings to a close a cycle comprising nine editions and 27 new creations by artists of different techniques, perspectives, backgrounds, ages and genders. This final edition features three perspectives on balance and the manipulation of objects:<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>NOCAUTE \u2013 IN\u00caS PINHO<\/strong><\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:23% auto\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2026\/07\/InesPinho_1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"828\" height=\"1102\" src=\"https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2026\/07\/InesPinho_1.jpg\" alt=\"\" class=\"wp-image-5005 size-full\" srcset=\"https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2026\/07\/InesPinho_1.jpg 828w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2026\/07\/InesPinho_1-620x825.jpg 620w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2026\/07\/InesPinho_1-768x1022.jpg 768w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2026\/07\/InesPinho_1-225x300.jpg 225w\" sizes=\"auto, (max-width: 828px) 100vw, 828px\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\">NOCAUTE accompanies two presences that share the same space without ever meeting directly. Among actions that are completed at a distance, weaknesses, resistances and small attempts at approach are revealed. In an exhausted world, we observe two people trying to understand their own state, building a silent search, in which care arises as a possibility.<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>EQUIL\u00cdBRIOS \u2013 PEDRO MATIAS<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-media-text has-media-on-the-right is-stacked-on-mobile\" style=\"grid-template-columns:auto 34%\"><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\">Balances is a contemporary circus project, which addresses the very discipline of balances as a matter of investigation. The project develops through a monodisciplinary soil, using the practice of the roll-ball as a form of expression. &#8220;What is balance?&#8221; Is the question that motivates this project. Depending on the approach, balance can be understood as a negotiation of forces between extremities. Despite its stability, it is always circumstantial and tension is an element that is always inherent in its existence. This work explores the concept through practice, seeking to understand it to recognize it in other contexts.<\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2026\/07\/PedroMatias_1.jpeg\"><img loading=\"lazy\" decoding=\"async\" width=\"940\" height=\"1253\" src=\"https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2026\/07\/PedroMatias_1-940x1253.jpeg\" alt=\"\" class=\"wp-image-4994 size-full\" srcset=\"https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2026\/07\/PedroMatias_1-940x1253.jpeg 940w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2026\/07\/PedroMatias_1-620x827.jpeg 620w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2026\/07\/PedroMatias_1-768x1024.jpeg 768w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2026\/07\/PedroMatias_1-1152x1536.jpeg 1152w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2026\/07\/PedroMatias_1-800x1067.jpeg 800w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2026\/07\/PedroMatias_1-225x300.jpeg 225w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2026\/07\/PedroMatias_1.jpeg 1191w\" sizes=\"auto, (max-width: 940px) 100vw, 940px\" \/><\/a><\/figure><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>ALBATROZ \u2013 VASCO GOMES&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:26% auto\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2026\/07\/AshleighGeorgiou_5.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"940\" height=\"1253\" src=\"https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2026\/07\/AshleighGeorgiou_5-940x1253.jpg\" alt=\"\" class=\"wp-image-5023 size-full\" srcset=\"https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2026\/07\/AshleighGeorgiou_5-940x1253.jpg 940w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2026\/07\/AshleighGeorgiou_5-620x827.jpg 620w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2026\/07\/AshleighGeorgiou_5-768x1024.jpg 768w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2026\/07\/AshleighGeorgiou_5-800x1067.jpg 800w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2026\/07\/AshleighGeorgiou_5-225x300.jpg 225w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2026\/07\/AshleighGeorgiou_5.jpg 1152w\" sizes=\"auto, (max-width: 940px) 100vw, 940px\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"wp-block-paragraph\">A silver tremor, a cascade of shimmering leaves and, in the background, an albatross taking flight. An experience that reflects the passage of time. A solitary moment of working with materials and substances that accumulate weight, time, and the renewal of cycles. Attempting to take flight bearing the weight of a few years, of a few constructions and collapses, of celebrations and a few embraces. Take flights into the distance!<\/p>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n","protected":false},"excerpt":{"rendered":"<p>The Mostra Estufa was launched in 2018 as a result of a joint initiative by Erva Daninha and the Teatro Municipal do Porto to provide a platform for new languages, aesthetics and dramaturgies in contemporary circus. It is an annual programme that seeks to foster new creations which bring the circus closer to current aesthetic [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"fullwidth-page.php","meta":{"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"tags":[],"class_list":["post-5028","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P6f9xd-1j6","_links":{"self":[{"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/pages\/5028","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/comments?post=5028"}],"version-history":[{"count":4,"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/pages\/5028\/revisions"}],"predecessor-version":[{"id":5035,"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/pages\/5028\/revisions\/5035"}],"wp:attachment":[{"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/media?parent=5028"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/tags?post=5028"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}