{"id":4973,"date":"2026-07-13T13:24:17","date_gmt":"2026-07-13T13:24:17","guid":{"rendered":"https:\/\/ervadaninha.pt\/wp1\/?page_id=4973"},"modified":"2026-07-13T13:30:36","modified_gmt":"2026-07-13T13:30:36","slug":"o-homem-que-so-ve-metal-by-ernesto-poittevin-cia-nopok","status":"publish","type":"page","link":"https:\/\/ervadaninha.pt\/wp1\/index.php\/en\/o-homem-que-so-ve-metal-by-ernesto-poittevin-cia-nopok\/","title":{"rendered":"O homem que s\u00f3 v\u00ea metal by Ernesto Poittevin | Cia Nopok"},"content":{"rendered":"\n

ensaio de circo | 11 July 26 | CED | Artistic Residence 29\/6 a 12\/7\u00a0<\/p>\n\n\n

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\"\"<\/a>
\u00a9 Ashleigh Georgiou <\/figcaption><\/figure>\n<\/div>\n\n\n

A lonely man, spies on the world leaning on the sill of a window into himself. The chaos that proliferates from megacities spreads the colors, sounds, textures of metal in the stormy imaginary of our human character. Technology gives birth to the fruits of pliers, spoons and chains. The tree once alive feeds the air with rust. Only in wooden boxes hidden in the middle of scribbles and layers of newspaper remain human feelings. The man sees metal, but still feels the wood. The show creates powerful metaphors from circus skills, dances and theatrical scenes that revolve over a man who explores himself to question the outside world.<\/p>\n\n\n\n

This activity is supported by the Funarte International Artistic Mobility Scholarship of Brazil<\/strong><\/p>\n\n\n\n

Dramaturgy Ernesto Poittevin, Roberto Rodrigues, Ruy Carvalho | Direction Roberto Rodrigues | Movement Direction and Body Preparation Ruy Carvalho | Interpretation Ernesto Poittevin | Scenario and Costume Carla Ferraz | Lighting Lucas Maciel | Music Gustavo dos Santos Tavares | Tap Dance Fl\u00e1via Costa | Production Carol Salles<\/p>\n","protected":false},"excerpt":{"rendered":"

ensaio de circo | 11 July 26 | CED | Artistic Residence 29\/6 a 12\/7\u00a0 A lonely man, spies on the world leaning on the sill of a window into himself. The chaos that proliferates from megacities spreads the colors, sounds, textures of metal in the stormy imaginary of our human character. Technology gives birth […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"fullwidth-page.php","meta":{"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"tags":[],"class_list":["post-4973","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P6f9xd-1id","_links":{"self":[{"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/pages\/4973","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/comments?post=4973"}],"version-history":[{"count":2,"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/pages\/4973\/revisions"}],"predecessor-version":[{"id":4978,"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/pages\/4973\/revisions\/4978"}],"wp:attachment":[{"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/media?parent=4973"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/tags?post=4973"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}