{"id":4744,"date":"2026-01-28T12:24:03","date_gmt":"2026-01-28T12:24:03","guid":{"rendered":"https:\/\/ervadaninha.pt\/wp1\/?page_id=4744"},"modified":"2026-01-28T12:42:25","modified_gmt":"2026-01-28T12:42:25","slug":"abel-by-cie-del-caravaggio","status":"publish","type":"page","link":"https:\/\/ervadaninha.pt\/wp1\/index.php\/en\/abel-by-cie-del-caravaggio\/","title":{"rendered":"Abel by Cie del Caravaggio"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">ensaio de circo | 24 January 26<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Abel is smoke, it&#8217;s vanity. Abel is a too ambitious show, which does not find a solution. A densely woven story of sensations, which presents itself as a bottomless abyss. As if the claim to manifest vital fullness revealed the emptiness that contains it. Abel is the making of a play, where what is presented masks the true story. On stage, the characters struggle to find an outcome for this work, for which it seems difficult to find a solution. It is an echo to life, to the society of appearances, and to the human condition of loneliness, with which we are often confronted.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"jetpack-video-wrapper\"><iframe loading=\"lazy\" title=\"ABEL de Cie del Caravaggio\" src=\"https:\/\/player.vimeo.com\/video\/1159179886?dnt=1&amp;app_id=122963\" width=\"764\" height=\"430\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">creation and interpretation&nbsp;ALESSANDRO TRAVELLI, RITA CARMO MARTINS, MARYLOU AUPIC<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ensaio de circo | 24 January 26 Abel is smoke, it&#8217;s vanity. Abel is a too ambitious show, which does not find a solution. A densely woven story of sensations, which presents itself as a bottomless abyss. As if the claim to manifest vital fullness revealed the emptiness that contains it. Abel is the making [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4731,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"tags":[],"class_list":["post-4744","page","type-page","status-publish","has-post-thumbnail","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P6f9xd-1ew","_links":{"self":[{"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/pages\/4744","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/comments?post=4744"}],"version-history":[{"count":2,"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/pages\/4744\/revisions"}],"predecessor-version":[{"id":4754,"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/pages\/4744\/revisions\/4754"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/media\/4731"}],"wp:attachment":[{"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/media?parent=4744"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/tags?post=4744"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}