{"id":4169,"date":"2025-10-13T10:41:17","date_gmt":"2025-10-13T10:41:17","guid":{"rendered":"https:\/\/ervadaninha.pt\/wp1\/?page_id=4169"},"modified":"2025-10-21T13:57:11","modified_gmt":"2025-10-21T13:57:11","slug":"clamor-de-margarida-monteny-2","status":"publish","type":"page","link":"https:\/\/ervadaninha.pt\/wp1\/index.php\/en\/clamor-de-margarida-monteny-2\/","title":{"rendered":"CLAMOR By Margarida Monten\u00ff"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Oct 4th 25 | 17h | 60\u2019 | M3 | Clube Erva Daninha | Ensaio de Circo<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"jetpack-video-wrapper\"><iframe loading=\"lazy\" title=\"Clamor de Margarida Monteny\" src=\"https:\/\/player.vimeo.com\/video\/1127567532?dnt=1&amp;app_id=122963\" width=\"764\" height=\"430\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Clamor <\/em>emerges from the intersection between the manual ringing of the bell and the vertical rope, bringing the art of bell-ringing closer to aerial acrobatics. The focus of this dialogue, immediately laden with symbolism, dissolves into a landscape through the activation of its composing elements, which intersect and juxtapose until they give rise to a space that seeks to be both immersive and essayistic. In the interplay of counterweight, friction, impact and momentum, there lies the possibility of a game that also seeks to expand the space of action and the limits that enclose it, through geometry, direction and withdrawal. Within this spectrum of possibilities, the spectator is also invited to rehearse their own point of view and to wander between gravity and intention.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Concept and Activation: MARGARIDA MONTEN\u0178<br>Artistic Support and Guidance: SILVANA IVALDI<br>Lighting Design: PEDRO NABAIS<br>Sound Composition and Performance: PEDRO G\u00d3IS &amp; ANDR\u00c9 DIAS<br>Structure \/ Set Design: EMANUEL SANTOS<br>Technical Direction: LU\u00cdS RIBEIRO<br>Research Support: IN SITU \u2013 PLATFORM; RE=INICIAR \u2013 PERFORMING ARTS MEETING \u2013 BALLET CONTEMPOR\u00c2NEO DO NORTE<br>Residency Support: F\u00c1BRICA DAS IDEIAS and CASA VARELA, within the partnership with OUTDOOR ARTS PORTUGAL; ERVA DANINHA, within the project \u201cENSAIOS DE CIRCO\u201d; TEATRO VIRG\u00cdNIA; CAMPUS PAULO CUNHA E SILVA; IMAGINARIUS CREATION CENTER.<br>Co-production: OUTDOOR ARTS PORTUGAL (in partnership with 23 MILHAS\/B\u00daSSOLA, FESTIVAL LEME and MUNIC\u00cdPIO DE POMBAL\/CASA VARELA); TEATRO VIRG\u00cdNIA\/MUNIC\u00cdPIO DE TORRES NOVAS.<br>Financial Support: PORTUGUESE REPUBLIC \u2013 DIRECTORATE-GENERAL FOR THE ARTS; GDA FOUNDATION.<br>Additional Support: SERAFIM DA SILVA JER\u00d3NIMO E FILHOS LDA; SICOR S.A.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Oct 4th 25 | 17h | 60\u2019 | M3 | Clube Erva Daninha | Ensaio de Circo Clamor emerges from the intersection between the manual ringing of the bell and the vertical rope, bringing the art of bell-ringing closer to aerial acrobatics. The focus of this dialogue, immediately laden with symbolism, dissolves into a landscape [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"tags":[],"class_list":["post-4169","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P6f9xd-15f","_links":{"self":[{"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/pages\/4169","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/comments?post=4169"}],"version-history":[{"count":3,"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/pages\/4169\/revisions"}],"predecessor-version":[{"id":4429,"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/pages\/4169\/revisions\/4429"}],"wp:attachment":[{"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/media?parent=4169"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/tags?post=4169"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}