{"id":3830,"date":"2025-08-04T11:57:07","date_gmt":"2025-08-04T11:57:07","guid":{"rendered":"https:\/\/ervadaninha.pt\/wp1\/?page_id=3830"},"modified":"2026-07-29T11:43:59","modified_gmt":"2026-07-29T11:43:59","slug":"ensaios-de-circo-2","status":"publish","type":"page","link":"https:\/\/ervadaninha.pt\/wp1\/index.php\/en\/ensaios-de-circo-2\/","title":{"rendered":"Ensaios de Circo"},"content":{"rendered":"\n

Ensaios de Circo is the result of an artistic residency at the Clube Erva Daninha, in Erva Daninha\u2019s space at Espa\u00e7o Agra. This program supports performances that are still in the creation phase and have yet to premiere. They are presented here in an open rehearsal format, with content and duration still in development. This activity aims to stimulate the creation of contemporary circus while also fostering connections between creators, audiences, and programmers in a relaxed and constructive environment. In addition to providing a rehearsal space, Erva Daninha offers financial, technical, and communication support to the artists.<\/p>\n\n\n\n

Ensaios de Circo are part of the 25\/26 programming cycle of Clube Erva Daninha, with support from the Criat\u00f3rio by \u00c1gora – Cultura e Desporto do Porto, E.M., S.A. programme.<\/p>\n\n\n\n

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Next<\/a><\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

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Antonia La Petaca<\/a><\/p>\n\n\n\n

7\/2026<\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

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Ernesto Poittevin<\/a> <\/p>\n\n\n\n

7\/2026<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n

<\/p>\n\n\n\n

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Nicol\u00e1s Bustos<\/a><\/p>\n\n\n\n

5\/2026<\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

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Luc\u00eda Merlina<\/a><\/p>\n\n\n\n

4\/2026<\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

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Vasco Gomes<\/a> <\/p>\n\n\n\n

3\/2026<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n

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Chiara Capparelli <\/a><\/p>\n\n\n\n

2\/2026<\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

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Cie del Caravaggio<\/a> <\/p>\n\n\n\n

1\/2026<\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

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Elsa Caillat<\/a><\/p>\n\n\n\n

12\/2025<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n

<\/p>\n\n\n\n

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Corey Leighton<\/a><\/p>\n\n\n\n

10\/2025<\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

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\"foto<\/span>
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Margarida Monten\u00ff<\/a><\/p>\n\n\n\n

9\/2025<\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

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Elvis Mendes<\/a><\/p>\n\n\n\n

5\/2025<\/mark><\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n

<\/p>\n\n\n\n

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Cia Arrels al Cel<\/a><\/p>\n\n\n\n

4\/2025<\/mark><\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

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INAC \/ Jorge Lix<\/a><\/p>\n\n\n\n

3\/2025<\/mark><\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

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Mau Jara e Duvan Jim\u00e9nez<\/a><\/p>\n\n\n\n

9\/2024<\/mark><\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n

<\/p>\n\n\n\n

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Alan & Alvin<\/a><\/p>\n\n\n\n

7\/2024<\/mark><\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

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Morgana Morandi<\/a><\/p>\n\n\n\n

6\/2024<\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

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CAOS<\/a><\/p>\n\n\n\n

5\/2024<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n

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<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Companhia AbsurdA<\/a><\/p>\n\n\n\n

4\/2024<\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

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<\/div><\/span>
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Daniel Seabra<\/a><\/p>\n\n\n\n

3\/2024<\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

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<\/div><\/span>
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In\u00eas Pinho<\/a><\/p>\n\n\n\n

2\/2024<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n

<\/p>\n\n\n\n

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Cora\u00e7\u00e3o nas M\u00e3os<\/a><\/p>\n\n\n\n

11\/2023<\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

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Pedro Matias<\/a><\/p>\n\n\n\n

10\/2023<\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

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<\/div><\/span>
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Ch\u00e3o<\/a><\/p>\n\n\n\n

8\/2023<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n

<\/p>\n\n\n\n

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Ariel Pizarro e Mar\u00eda del Peso<\/a><\/p>\n\n\n\n

5\/2023<\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
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<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Ensaios de Circo is the result of an artistic residency at the Clube Erva Daninha, in Erva Daninha\u2019s space at Espa\u00e7o Agra. This program supports performances that are still in the creation phase and have yet to premiere. They are presented here in an open rehearsal format, with content and duration still in development. This […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"fullwidth-page.php","meta":{"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"tags":[],"class_list":["post-3830","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P6f9xd-ZM","_links":{"self":[{"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/pages\/3830","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/comments?post=3830"}],"version-history":[{"count":26,"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/pages\/3830\/revisions"}],"predecessor-version":[{"id":5076,"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/pages\/3830\/revisions\/5076"}],"wp:attachment":[{"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/media?parent=3830"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/tags?post=3830"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}