{"id":3263,"date":"2024-09-07T11:39:53","date_gmt":"2024-09-07T11:39:53","guid":{"rendered":"https:\/\/ervadaninha.pt\/wp1\/?page_id=3263"},"modified":"2024-12-18T12:06:22","modified_gmt":"2024-12-18T12:06:22","slug":"mostra-estufa-24","status":"publish","type":"page","link":"https:\/\/ervadaninha.pt\/wp1\/index.php\/mostra-estufa-24\/","title":{"rendered":"Mostra Estufa 2024"},"content":{"rendered":"\n<ul>\n<li><strong>29\/11<\/strong> &#8211; 19:30 + <strong>30\/11 <\/strong>&#8211; 19:30    | TEATRO CAMPO ALEGRE  TMP | (7\u20ac bilhete conjunto) | <a href=\"https:\/\/www.bol.pt\/Comprar\/Bilhetes\/126309-erva_daninha_mostra_estufa-outros_espacos\/\" target=\"_blank\" rel=\"noreferrer noopener\">Bilheteira LINK<\/a><\/li>\n\n\n\n<li style=\"font-size:15px\"><strong>25\/11<\/strong> a <strong>29\/11<\/strong> &#8211; <strong>Oficina Corpo Cyrcense&nbsp;<\/strong>com Alan Sencades | CCC Espa\u00e7o Agra | <a href=\"https:\/\/docs.google.com\/forms\/d\/1hFPZtBYXA3CMVbNdwYohu29vcz4XevbWmS2HZClyOSs\/edit#response=ACYDBNhGF7UYmbJQa0fXe537KT0-mF1pYOoxhexmmgO75vVoEOKvPYbkQIwQ2fRlp3ic1JM\" target=\"_blank\" rel=\"noreferrer noopener\">+Info link<\/a><\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"jetpack-video-wrapper\"><div class=\"embed-vimeo\" style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/1037967509\" width=\"764\" height=\"430\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/div><\/div>\n<\/div><\/figure>\n\n\n\n<p><br><strong>CAFELINA<\/strong> &#8211; Merlina <\/p>\n\n\n\n<details class=\"wp-block-details has-cyan-bluish-gray-color has-text-color\"><summary>EN<\/summary>\n<p class=\"has-cyan-bluish-gray-color has-text-color\"><em>Cafelina<\/em>, a poem written with coffee images. A bird-woman who discovers herself through shapes and masks; a woman who is a coffee grinder, who grinds the beans, pours them over a white canvas and paints in motion. Dancing acrobatics that end up in balance over the hands.<\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color has-small-font-size\"><strong>Luc\u00eda Merlino<\/strong>&nbsp;was born in Argentina in 1992. She is a multidisciplinary artist with training in visual arts and contemporary circus, specialising in painting, balance and movement. She is a restless, creative and adventurous soul who combines different ways of expressions through performing arts. She has training as visual arts teacher, specialising in painting, from the National University of the Arts (Argentina, 2014). She also has a degree in contemporary circus, specialising in hand balance, from INAC \u2013 National Institute of Circus Arts (2021). Together with Facundo Combina, she is a member of the D\u00fao Ka&#8217;ygua company, a multidisciplinary project that blends painting, circus and music.<\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color\"><strong>Created and performed by<\/strong>&nbsp;Luc\u00eda Merlino&nbsp;<strong><br>Outside look&nbsp;<\/strong>Diego Leandro Bail\u00e9n&nbsp;<\/p>\n<\/details>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:32% auto\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" loading=\"lazy\" width=\"940\" height=\"1408\" src=\"https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/09\/MERLI-CAFE-14-copia-2-940x1408.jpg\" alt=\"\" class=\"wp-image-3273 size-full\" srcset=\"https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/09\/MERLI-CAFE-14-copia-2-940x1408.jpg 940w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/09\/MERLI-CAFE-14-copia-2-620x929.jpg 620w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/09\/MERLI-CAFE-14-copia-2-768x1150.jpg 768w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/09\/MERLI-CAFE-14-copia-2-1025x1536.jpg 1025w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/09\/MERLI-CAFE-14-copia-2-200x300.jpg 200w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/09\/MERLI-CAFE-14-copia-2.jpg 1205w\" sizes=\"(max-width: 940px) 100vw, 940px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><em>Cafelina<\/em>, um poema escrito com imagens de caf\u00e9. Uma mulher-p\u00e1ssaro que se descobre atrav\u00e9s de formas e m\u00e1scaras; uma mulher que \u00e9 um moinho de caf\u00e9, que m\u00f3i os gr\u00e3os, derrama-os numa tela branca e pinta em movimento. Acrobacias que dan\u00e7am e, em equil\u00edbrio, param sobre as m\u00e3os.<\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>Luc\u00eda Merlino<\/strong>&nbsp;nasceu na Argentina, em 1992, e \u00e9 artista multidisciplinar com forma\u00e7\u00e3o em artes visuais e circo contempor\u00e2neo, com especializa\u00e7\u00e3o em pintura, equil\u00edbrio e movimento. \u00c9 uma alma inquieta, criativa e aventureira que funde as suas express\u00f5es atrav\u00e9s das artes performativas. Formada como professora de artes visuais, especializada em pintura, licenciado-se em 2014 pela Universidade Nacional de Belas Artes, Argentina. Formou-se tamb\u00e9m como artista de circo contempor\u00e2neo, com especializa\u00e7\u00e3o em equil\u00edbrio de m\u00e3os, no INAC &#8211; Instituto Nacional de Artes do Circo, em 2021. \u00c9 membro da companhia D\u00fao Ka&#8217;ygua, juntamente com Facundo Combina, um projeto multidisciplinar que funde pintura, circo e m\u00fasica.<\/p>\n\n\n\n<p><strong>Cria\u00e7\u00e3o e interpreta\u00e7\u00e3o<\/strong> &#8211; &nbsp;Luc\u00eda Merlino<strong>&nbsp;<br>Olhar externo&nbsp;<\/strong>&#8211; Diego Leandro Bail\u00e9n<\/p>\n<\/div><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"jetpack-video-wrapper\"><iframe loading=\"lazy\" title=\"CAFELINA de Merlina\" src=\"https:\/\/player.vimeo.com\/video\/1038881711?dnt=1&amp;app_id=122963\" width=\"764\" height=\"430\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>QUEM ANDA AO SOL<\/strong> &#8211; Felipe Contreras &amp; Miguel Br\u00e1s<\/p>\n\n\n\n<details class=\"wp-block-details has-cyan-bluish-gray-color has-text-color\"><summary>EN<\/summary>\n<p class=\"has-cyan-bluish-gray-color has-text-color\"><em>Quem anda ao sol [Those who Walk in the Sun]&nbsp;<\/em>is a multidisciplinary performance in which two physically identical jugglers double a narrative that explores such duality. A creation that looks for the challenges and consequences of each one\u2019s hardships. A relationship based on the beauty of contradiction, on the harmony of disagreement, and on the peculiar unrest that arises when two seemingly similar beings reveal their one-of-a-kind souls. <\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color has-small-font-size\">Born in Santiago do Chile,&nbsp;<strong>Felipe Contreras<\/strong>&nbsp;is a many-sided circus artist who has been living in Portugal since 2018 and practicing juggling since he was 18. He travels the world, attending workshops and training courses on circus and performing arts. He started his artistic journey at the social circus school in Londrina, Brazil, and then joined INAC \u2013 National Institute of Circus Arts, specialising in clubs and juggling. He then attended the Philip Radice physical theatre school in Turin for a year, and he is currently pursuing the Advanced Training in Performance and Choreographic Creation at Inst\u00e1vel \u2013 Choreographic Centre.&nbsp;<\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color has-small-font-size\"><strong>Miguel Br\u00e1s<\/strong>&nbsp;is a multidisciplinary artist and creator who was born in Lisbon. His work focuses on blending contemporary circus, contemporary dance, physical theatre and music production. He started his artistic training in circus performance and animation at Chapit\u00f4, in Lisbon, and then joined INAC \u2013 National Institute of Circus Arts, where he focused on contemporary circus. He also attended the circus and performance art course at the Fontys school in Tilburg (The Netherlands) for a year. As far as music is concerned, he has a degree in electronic music production from ETIC \u2013 Technical School of Image and Communication, in Lisbon. With regard to dance, he completed the Advanced Training in Performance and Choreographic Creation at Inst\u00e1vel \u2013 Choreographic Centre.<\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color\"><strong>Created and performed by&nbsp;<\/strong>Felipe Contreras, Miguel Br\u00e1s&nbsp;<strong><br>Original music<\/strong>&nbsp;Miguel Br\u00e1s&nbsp;<strong><br>Outside look&nbsp;<\/strong>Jorge Lix&nbsp;<strong><br>Co-produced by<\/strong>&nbsp;Companhia Erva Daninha&nbsp;<br><strong>Residency support<\/strong>&nbsp;AgitLab, Companhia Erva Daninha, INAC \u2013 Instituto Nacional de Artes do Circo, Inst\u00e1vel \u2013 Centro Coreogr\u00e1fico &nbsp;<\/p>\n<\/details>\n\n\n\n<p>Quem anda ao sol \u00e9 um espet\u00e1culo multidisciplinar, onde dois malabaristas dobram uma narrativa onde exploram a sua individualidade. Uma cria\u00e7\u00e3o que procura os desafios e as consequ\u00eancias das adversidades de cada um. Uma rela\u00e7\u00e3o baseada na beleza da contradi\u00e7\u00e3o, na harmonia da diverg\u00eancia e na agita\u00e7\u00e3o \u00fanica que surge quando dois seres revelam as suas almas \u00fanicas e decidem partilh\u00e1-las. <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"jetpack-video-wrapper\"><iframe loading=\"lazy\" title=\"QUEM ANDA AO SOL de Felipe Contreras e Miguel Br\u00e1s\" src=\"https:\/\/player.vimeo.com\/video\/1038881596?dnt=1&amp;app_id=122963\" width=\"764\" height=\"430\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<div class=\"wp-block-media-text has-media-on-the-right is-stacked-on-mobile\" style=\"grid-template-columns:auto 45%\"><div class=\"wp-block-media-text__content\">\n<p> <\/p>\n\n\n\n<p class=\"has-small-font-size\">Nascido em Santiago do Chile,&nbsp;<strong>Felipe Contreras<\/strong>&nbsp;\u00e9 um artista de circo multifacetado, residente em Portugal desde 2018. Pratica malabarismo desde os 18 anos de idade, viaja pelo mundo, frequentando workshops e cursos de forma\u00e7\u00e3o nas disciplinas de circo e das artes do espet\u00e1culo. O seu percurso art\u00edstico come\u00e7ou na escola de circo de circo social de Londrina, no Brasil, seguindo a sua forma\u00e7\u00e3o no INAC &#8211; Instituto Nacional das Artes do Circo, com a especialidade de Pinos e Malabares. Em seguida, frequentou um ano na escola de teatro f\u00edsico Philip Radice, em Torino, e, atualmente, frequenta uma Forma\u00e7\u00e3o Avan\u00e7ada em Interpreta\u00e7\u00e3o e Cria\u00e7\u00e3o Coreogr\u00e1fica com a Inst\u00e1vel &#8211; Centro Coreogr\u00e1fico.&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>Miguel Br\u00e1s<\/strong>&nbsp;\u00e9 um artista e criador multidisciplinar nascido em Lisboa. O seu trabalho foca-se na fus\u00e3o das \u00e1reas do circo contempor\u00e2neo, dan\u00e7a contempor\u00e2nea, teatro f\u00edsico e a produ\u00e7\u00e3o musical. Come\u00e7ou a sua especializa\u00e7\u00e3o art\u00edstica em Interpreta\u00e7\u00e3o e Anima\u00e7\u00e3o Circenses, na escola do Chapit\u00f4, em Lisboa, seguindo para INAC, onde se focalizou em circo contempor\u00e2neo. Frequentou tamb\u00e9m, um ano em Fontys, em Tilburg, no curso de Circo e Performance Art. Na \u00e1rea da m\u00fasica, tem uma especializa\u00e7\u00e3o em Produ\u00e7\u00e3o de M\u00fasica Electr\u00f3nica na ETIC, em Lisboa. Na \u00e1rea da dan\u00e7a, fez uma Forma\u00e7\u00e3o Avan\u00e7ada em Interpreta\u00e7\u00e3o e Cria\u00e7\u00e3o Coreogr\u00e1fica com a Inst\u00e1vel &#8211; Centro Coreogr\u00e1fico.<\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" loading=\"lazy\" width=\"940\" height=\"627\" src=\"https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/10\/DSC09169-940x627.jpg\" alt=\"\" class=\"wp-image-3388 size-full\" srcset=\"https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/10\/DSC09169-940x627.jpg 940w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/10\/DSC09169-620x413.jpg 620w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/10\/DSC09169-768x512.jpg 768w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/10\/DSC09169-1536x1024.jpg 1536w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/10\/DSC09169-2048x1365.jpg 2048w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/10\/DSC09169-300x200.jpg 300w\" sizes=\"(max-width: 940px) 100vw, 940px\" \/><\/figure><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Cria\u00e7\u00e3o e interpreta\u00e7\u00e3o<\/strong>&nbsp;&#8211; Felipe Contreras &amp; Miguel Br\u00e1s<strong><br>M\u00fasica original&nbsp;<\/strong>&#8211; Miguel Br\u00e1s&nbsp;<strong><br>Olhar externo <\/strong>&#8211; Jorge Lix&nbsp;<strong><br>Apoio \u00e0 resid\u00eancia<\/strong>&nbsp;&#8211;<strong> <\/strong>AGITLAB, Inst\u00e1vel &#8211; Centro Coreogr\u00e1fico<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>CHAPITRE 2: AINSI RUGISSENT LES FLEURS <\/strong>&#8211; Cirque Lambda <\/p>\n\n\n\n<details class=\"wp-block-details has-cyan-bluish-gray-color has-text-color\"><summary>EN<\/summary>\n<p class=\"has-cyan-bluish-gray-color has-text-color\">What\u2019s absurd about current social labels is that they go beyond categorising reality according to common denominators with regard to the one responsible for the categorisation, which tends to take into account the diversity of perspectives that can rule a society. On the other hand, they tend to attribute a static, predefined characteristic, whose evaluation is presented as objective and permanent. The risk is thus to confine a rich and nuanced concept to a simplistic category, and to do so in a way that irreversibly defines a person. Ainsi rugissent les fleurs [Thus Roar the Flowers] wishes to free our memories, emancipate us from them, create new memories and imagine a world that belongs to us, without labels or the dictates associated with them. \u2014&nbsp;Cirque Lambda<\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color has-small-font-size\"><strong>Flavia Savi<\/strong>&nbsp;is Italian and studied singing at the Quarta Sospesa music school. She concurrently discovered circus at the Corpi Pazzi Palestra Popolare in Rebibbia. In 2015, she continued her professional career at FLIC, Turin\u2019s circus school, and her training at \u00c9sacto&#8217;Lido (2019-2022). In 2022, she joined the Cirque Sans Cible project, and in 2023 she co-created Chapitre 2 with Lambda.<\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color has-small-font-size\"><strong>Jessica Ramon<\/strong>&nbsp;is Italian and loves to mix dance and circus. She learned about circus at FLIC, in Turin, and continued her training at \u00c9sacto&#8217;Lido, in Toulouse. In 2023, she created a 15-minute performance with Kinane, Chapitre 1: j&#8217;ai perdu le controle, joined the Daraoma\u00ef company as performer and cocreated Chapitre 2 with Lambda.&nbsp;<\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color has-small-font-size\"><strong>Kinane Srirou&nbsp;<\/strong>is Franco-Moroccan, attended the Bordeaux Circus School (2017-2019) and continued her training at \u00c9sacto&#8217;Lido, in Toulouse. In 2023, she joined Cirque Lambda. In 2024, she joined the Daraoma\u00ef company as co-director of the performance Sorolls and the Sous le manteau collective as performer.<\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color has-small-font-size\"><strong>Laia Planell<\/strong>&nbsp;is from Catalonia and has a degree from the Rogelio Rivel circus school. In Barcelona, she specialised in hand-to-hand and the Chinese pole, and at Turin\u2019s circus school, FLIC, in balance and the Chinese pole. She returned to Catalonia to train as a clown at L&#8217;Estruch, and she participated in the creation of the company Clyste and of the project Chapitre 2, by Lambda.&nbsp;<\/p>\n\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color\"><strong>Created and performed by<\/strong>&nbsp;Flavia Savi, Jessica Ramon, Kinane Srirou, Laia Planell&nbsp;<strong><br>Residency support<\/strong>&nbsp;Companhia Erva Daninha&nbsp;<strong><br>Support&nbsp;<\/strong>Culture Moves Europe&nbsp;<strong><br><\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/11\/Logos-Grantees-Transparent-Background-1.png\"><img decoding=\"async\" loading=\"lazy\" width=\"940\" height=\"143\" src=\"https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/11\/Logos-Grantees-Transparent-Background-1-940x143.png\" alt=\"\" class=\"wp-image-3433\" style=\"aspect-ratio:6.573426573426573;width:473px;height:auto\" srcset=\"https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/11\/Logos-Grantees-Transparent-Background-1-940x143.png 940w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/11\/Logos-Grantees-Transparent-Background-1-620x94.png 620w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/11\/Logos-Grantees-Transparent-Background-1-768x117.png 768w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/11\/Logos-Grantees-Transparent-Background-1-1536x234.png 1536w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/11\/Logos-Grantees-Transparent-Background-1-2048x312.png 2048w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/11\/Logos-Grantees-Transparent-Background-1-300x46.png 300w\" sizes=\"(max-width: 940px) 100vw, 940px\" \/><\/a><\/figure><\/div>\n\n\n<p class=\"has-cyan-bluish-gray-color has-text-color has-small-font-size\"><strong><br><\/strong>This work was produced with the financial assistance of the European Union. The views expressed herein can in no way be taken to reflect the official opinion of the European Union.<\/p>\n\n\n\n<p><\/p>\n<\/details>\n\n\n\n<p>O absurdo dos r\u00f3tulos sociais atuais \u00e9 que n\u00e3o se limitam a categorizar a realidade segundo denominadores comuns em rela\u00e7\u00e3o \u00e0quele que faz a categoriza\u00e7\u00e3o, o que tende a ter em conta o pluralismo de pontos de vista que pode dominar uma mesma sociedade. Por outro lado, tendem a atribuir uma carater\u00edstica est\u00e1tica e predefinida, cuja avalia\u00e7\u00e3o \u00e9 apresentada como objetiva e invari\u00e1vel. O risco \u00e9, portanto, confinar um conceito variado e matizado a uma categoria simplista, e faz\u00ea-lo de forma a definir irreversivelmente uma pessoa. Ainsi rugissent les fleurs [Assim rugem as flores] quer libertar as nossas mem\u00f3rias, emancipar-nos delas, criar novas mem\u00f3rias e imaginar um mundo que nos pertence, sem r\u00f3tulos e sem as imposi\u00e7\u00f5es que lhes est\u00e3o associadas. <\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"jetpack-video-wrapper\"><div class=\"embed-vimeo\" style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/1038882081\" width=\"764\" height=\"430\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/div><\/div>\n<\/div><\/figure>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:43% auto\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" loading=\"lazy\" width=\"940\" height=\"1410\" src=\"https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/09\/IMG_8566-copia-940x1410.jpg\" alt=\"\" class=\"wp-image-3285 size-full\" srcset=\"https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/09\/IMG_8566-copia-940x1410.jpg 940w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/09\/IMG_8566-copia-620x930.jpg 620w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/09\/IMG_8566-copia-768x1152.jpg 768w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/09\/IMG_8566-copia-1024x1536.jpg 1024w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/09\/IMG_8566-copia-1365x2048.jpg 1365w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/09\/IMG_8566-copia-200x300.jpg 200w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/09\/IMG_8566-copia-scaled.jpg 1707w\" sizes=\"(max-width: 940px) 100vw, 940px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-small-font-size\"><strong>Flavia Savi<\/strong>&nbsp;\u00e9 italiana e estudou canto na escola de m\u00fasica Quarta Sospesa. Ao mesmo tempo, descobriu o circo na Corpi Pazzi Palestra Popolare, em Rebibbia. Em 2015, continuou a carreira profissional na FLIC, a escola de circo em Turim, e treino na Esacto&#8217;Lido (2019-2022). Em 2022, junta-se ao projeto Cirque Sans Cible e, em 2023, cocria&nbsp;<em>Chapitre 2<\/em>&nbsp;com a Lambda.&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>Jessica Ramon<\/strong>&nbsp;\u00e9 italiana e adora misturar dan\u00e7a com circo. Conheceu o circo na escola preparat\u00f3ria Flic em Turim e continuou a sua forma\u00e7\u00e3o na Esacto&#8217;Lido, em Toulouse. Em 2023, cria um espet\u00e1culo de 15 minutos com Kinane,&nbsp;<em>Chapitre 1: j&#8217;ai perdu le control<\/em><em>e<\/em>, junta-se \u00e0 companhia Daraoma\u00ef como performer e cocria&nbsp;<em>Chapitre 2<\/em>&nbsp;com a companhia Lambda.&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>Kinane Srirou<\/strong>&nbsp;\u00e9 franco-marroquina, frequentou a \u00c9cole Pr\u00e9paratoire de Cirque de Bordeaux (2017-2019) e continuou a forma\u00e7\u00e3o na Esacto&#8217;Lido em Toulouse. Em 2023, junta-se ao Cirque Lambda. Em 2024, junta-se \u00e0 companhia Daraoma\u00ef como codiretora do espet\u00e1culo&nbsp;<em>Sorolls e ao Collectif sous le manteau<\/em>, como int\u00e9rprete.&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>Laia Planell<\/strong>&nbsp;\u00e9 da Catalunha e formou-se na Escola de Circ Rogelio Rivel. Em Barcelona, especializou-se em m\u00e3o-a-m\u00e3o e mastro chin\u00eas, e na Escola de Circo Flic em Turim, em equil\u00edbrio e mastro chin\u00eas. Voltou \u00e0 Catalunha para se formar como palha\u00e7a no L&#8217;Estruch, participou da funda\u00e7\u00e3o da companhia Clyste e do projeto&nbsp;<em>Chapitre 2&nbsp;<\/em>da companhia Lambda.<\/p>\n<\/div><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Cria\u00e7\u00e3o e interpreta\u00e7\u00e3o<\/strong>&nbsp;&#8211; Flavia Savi, Jessica Ramon, Kinane Srirou, Laia Planell<strong>&nbsp;<br>Apoio&nbsp;<\/strong>&#8211; Culture Moves Europe*<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/11\/Logos-Grantees-Transparent-Background-1.png\"><img decoding=\"async\" loading=\"lazy\" width=\"940\" height=\"143\" src=\"https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/11\/Logos-Grantees-Transparent-Background-1-940x143.png\" alt=\"\" class=\"wp-image-3433\" style=\"aspect-ratio:6.573426573426573;width:473px;height:auto\" srcset=\"https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/11\/Logos-Grantees-Transparent-Background-1-940x143.png 940w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/11\/Logos-Grantees-Transparent-Background-1-620x94.png 620w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/11\/Logos-Grantees-Transparent-Background-1-768x117.png 768w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/11\/Logos-Grantees-Transparent-Background-1-1536x234.png 1536w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/11\/Logos-Grantees-Transparent-Background-1-2048x312.png 2048w, https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/11\/Logos-Grantees-Transparent-Background-1-300x46.png 300w\" sizes=\"(max-width: 940px) 100vw, 940px\" \/><\/a><\/figure><\/div>\n\n\n<p class=\"has-small-font-size\">* Este projeto foi produzido com o apoio financeiro da Uni\u00e3o Europeia. As opini\u00f5es aqui expressas n\u00e3o podem, de forma alguma, ser consideradas como a opini\u00e3o oficial da Uni\u00e3o Europeia.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>OFICINA CORPO CYRCENSE c\/ Alan Sencades<\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"jetpack-video-wrapper\"><div class=\"embed-vimeo\" style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/1038882213\" width=\"764\" height=\"430\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/div><\/div>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-group wp-embed-aspect-16-9 wp-has-aspect-ratio is-layout-constrained wp-block-group-is-layout-constrained\"><div class=\"wp-block-group__inner-container\">\n<p><strong><mark style=\"background-color:#abb8c3\" class=\"has-inline-color\">a Mostra Estufa<\/mark><\/strong> <\/p>\n\n\n\n<p><strong>Curadoria<\/strong> \u2013 Julieta Guimar\u00e3es e Vasco Gomes<\/p>\n\n\n\n<p><strong>Dire\u00e7\u00e3o T\u00e9cnica<\/strong> \u2013 Vasco Gomes&nbsp;<\/p>\n\n\n\n<p><strong>Produ\u00e7\u00e3o<\/strong> &#8211; Andrew Ossada<\/p>\n\n\n\n<p><strong>Ilumina\u00e7\u00e3o<\/strong> \u2013 Pedro Nabais&nbsp;<\/p>\n\n\n\n<p><strong>Opera\u00e7\u00e3o luz<\/strong> &#8211; Jo\u00e3o Quintela<\/p>\n\n\n\n<p><strong>Opera\u00e7\u00e3o som<\/strong> &#8211; F\u00e1bio Ferreira<\/p>\n\n\n\n<p><strong>Assessoria imprensa <\/strong>&#8211; Jo\u00e3o Arezes<\/p>\n\n\n\n<p><strong>Comunica\u00e7\u00e3o<\/strong> \u2013 El\u00edsio Mota<\/p>\n\n\n\n<p><strong>V\u00eddeo e fotografia<\/strong> \u2013 Ashleigh Georgiou<\/p>\n\n\n\n<p><strong>Coprodu\u00e7\u00e3o<\/strong> \u2013 Teatro Municipal do Porto<\/p>\n\n\n\n<p><strong>apoio<\/strong> REP\u00daBLICA PORTUGUESA \u2013 CULTURA\/DIRE\u00c7\u00c3O-GERAL DAS ARTES<\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>CAFELINA &#8211; Merlina Cafelina, um poema escrito com imagens de caf\u00e9. Uma mulher-p\u00e1ssaro que se descobre atrav\u00e9s de formas e m\u00e1scaras; uma mulher que \u00e9 um moinho de caf\u00e9, que [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_themeisle_gutenberg_block_has_review":false,"jetpack_post_was_ever_published":false,"footnotes":""},"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Mostra Estufa 2024 - Erva Daninha<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ervadaninha.pt\/wp1\/index.php\/mostra-estufa-24\/\" \/>\n<meta property=\"og:locale\" content=\"pt_PT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mostra Estufa 2024 - Erva Daninha\" \/>\n<meta property=\"og:description\" content=\"CAFELINA &#8211; Merlina Cafelina, um poema escrito com imagens de caf\u00e9. Uma mulher-p\u00e1ssaro que se descobre atrav\u00e9s de formas e m\u00e1scaras; uma mulher que \u00e9 um moinho de caf\u00e9, que [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/ervadaninha.pt\/wp1\/index.php\/mostra-estufa-24\/\" \/>\n<meta property=\"og:site_name\" content=\"Erva Daninha\" \/>\n<meta property=\"article:modified_time\" content=\"2024-12-18T12:06:22+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/09\/MERLI-CAFE-14-copia-2-940x1408.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Tempo estimado de leitura\" \/>\n\t<meta name=\"twitter:data1\" content=\"12 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/ervadaninha.pt\/wp1\/index.php\/mostra-estufa-24\/\",\"url\":\"https:\/\/ervadaninha.pt\/wp1\/index.php\/mostra-estufa-24\/\",\"name\":\"Mostra Estufa 2024 - Erva Daninha\",\"isPartOf\":{\"@id\":\"https:\/\/ervadaninha.pt\/wp1\/#website\"},\"datePublished\":\"2024-09-07T11:39:53+00:00\",\"dateModified\":\"2024-12-18T12:06:22+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/ervadaninha.pt\/wp1\/index.php\/mostra-estufa-24\/#breadcrumb\"},\"inLanguage\":\"pt-PT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/ervadaninha.pt\/wp1\/index.php\/mostra-estufa-24\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/ervadaninha.pt\/wp1\/index.php\/mostra-estufa-24\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/ervadaninha.pt\/wp1\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Mostra Estufa 2024\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/ervadaninha.pt\/wp1\/#website\",\"url\":\"https:\/\/ervadaninha.pt\/wp1\/\",\"name\":\"Erva Daninha\",\"description\":\"Erva Daninha\",\"publisher\":{\"@id\":\"https:\/\/ervadaninha.pt\/wp1\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/ervadaninha.pt\/wp1\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"pt-PT\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/ervadaninha.pt\/wp1\/#organization\",\"name\":\"Erva Daninha\",\"url\":\"https:\/\/ervadaninha.pt\/wp1\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pt-PT\",\"@id\":\"https:\/\/ervadaninha.pt\/wp1\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2023\/09\/cropped-ervadaninha_preto_s.png\",\"contentUrl\":\"https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2023\/09\/cropped-ervadaninha_preto_s.png\",\"width\":100,\"height\":49,\"caption\":\"Erva Daninha\"},\"image\":{\"@id\":\"https:\/\/ervadaninha.pt\/wp1\/#\/schema\/logo\/image\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Mostra Estufa 2024 - Erva Daninha","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/ervadaninha.pt\/wp1\/index.php\/mostra-estufa-24\/","og_locale":"pt_PT","og_type":"article","og_title":"Mostra Estufa 2024 - Erva Daninha","og_description":"CAFELINA &#8211; Merlina Cafelina, um poema escrito com imagens de caf\u00e9. Uma mulher-p\u00e1ssaro que se descobre atrav\u00e9s de formas e m\u00e1scaras; uma mulher que \u00e9 um moinho de caf\u00e9, que [&hellip;]","og_url":"https:\/\/ervadaninha.pt\/wp1\/index.php\/mostra-estufa-24\/","og_site_name":"Erva Daninha","article_modified_time":"2024-12-18T12:06:22+00:00","og_image":[{"url":"https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2024\/09\/MERLI-CAFE-14-copia-2-940x1408.jpg"}],"twitter_card":"summary_large_image","twitter_misc":{"Tempo estimado de leitura":"12 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/ervadaninha.pt\/wp1\/index.php\/mostra-estufa-24\/","url":"https:\/\/ervadaninha.pt\/wp1\/index.php\/mostra-estufa-24\/","name":"Mostra Estufa 2024 - Erva Daninha","isPartOf":{"@id":"https:\/\/ervadaninha.pt\/wp1\/#website"},"datePublished":"2024-09-07T11:39:53+00:00","dateModified":"2024-12-18T12:06:22+00:00","breadcrumb":{"@id":"https:\/\/ervadaninha.pt\/wp1\/index.php\/mostra-estufa-24\/#breadcrumb"},"inLanguage":"pt-PT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/ervadaninha.pt\/wp1\/index.php\/mostra-estufa-24\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/ervadaninha.pt\/wp1\/index.php\/mostra-estufa-24\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/ervadaninha.pt\/wp1\/"},{"@type":"ListItem","position":2,"name":"Mostra Estufa 2024"}]},{"@type":"WebSite","@id":"https:\/\/ervadaninha.pt\/wp1\/#website","url":"https:\/\/ervadaninha.pt\/wp1\/","name":"Erva Daninha","description":"Erva Daninha","publisher":{"@id":"https:\/\/ervadaninha.pt\/wp1\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/ervadaninha.pt\/wp1\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"pt-PT"},{"@type":"Organization","@id":"https:\/\/ervadaninha.pt\/wp1\/#organization","name":"Erva Daninha","url":"https:\/\/ervadaninha.pt\/wp1\/","logo":{"@type":"ImageObject","inLanguage":"pt-PT","@id":"https:\/\/ervadaninha.pt\/wp1\/#\/schema\/logo\/image\/","url":"https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2023\/09\/cropped-ervadaninha_preto_s.png","contentUrl":"https:\/\/ervadaninha.pt\/wp1\/wp-content\/uploads\/2023\/09\/cropped-ervadaninha_preto_s.png","width":100,"height":49,"caption":"Erva Daninha"},"image":{"@id":"https:\/\/ervadaninha.pt\/wp1\/#\/schema\/logo\/image\/"}}]}},"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P6f9xd-QD","_links":{"self":[{"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/pages\/3263"}],"collection":[{"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/comments?post=3263"}],"version-history":[{"count":46,"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/pages\/3263\/revisions"}],"predecessor-version":[{"id":3459,"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/pages\/3263\/revisions\/3459"}],"wp:attachment":[{"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/media?parent=3263"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ervadaninha.pt\/wp1\/index.php\/wp-json\/wp\/v2\/tags?post=3263"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}